B.blumen
Tented banquet seating under a suspended greenery installation

Benefit and corporate events

You should get to attend your own event

We produce benefit and corporate events across DFW. Venue, vendors, timeline, build, strike. You approve one plan and one number.

How that works

One team, start to strike

Venue · Vendors · Timeline · Build · Strike

We source the room, contract every vendor in it, hold the timeline they all work to, build the part your guests actually see, and have it gone by morning.

Plenty of the events we produce have no flowers in them at all. B.blumen started as a farm and still is one, so florals are there if you want them. They are not the price of admission.


Eucalyptus and burgundy stems laid out on a work bench

Fort Worth Botanic Garden

A preferred floral vendor at the Fort Worth Botanic Garden. We are on that campus often enough that we are not learning it on your date.

Preferred floral vendor · Rental spaces, Fort Worth Botanic Garden

Services

Six jobs, one contract, one number to call

Elevated arrangement on a tall stand in a chandeliered foyer

Venue sourcing

We match the event to a room, and we can get you a hearing at venues where we already have standing.

Two people reviewing a printed floorplan in an empty hall

Vendor contracting

Ten or twelve suppliers, all contracted to us and working from one schedule. You approve the plan, not the paperwork.

Grazing station laid out along a marble counter

Catering and bar

Tastings, service style, staffing ratios, and the bar. Usually the largest line in the budget, so we scope it first.

Technician at an audio console at the back of a dark hall

AV and production

Sound, screens, stage, and playback, tested early. The program depends on it more than anything else in the room.

Floral arch built around a mature tree

Design and build

The look of the room, then the build. Staging, lighting, and the florals, cut on our own farm the morning of.

Empty hall after an event with stacked chairs and a work light

Run of show and strike

The night on paper, minute by minute. Our crew is the last one out and the room is clear by morning.

Large tree collared in florals on a decked terrace

Front to back

You call us. We lock the room and the paperwork. We design it. We schedule it. We run it.

The first call01

Date, headcount, budget band, and what the night is for. We check whether rooms that fit are open on your date before anyone gets attached to one. If the date and the number do not work together, you hear it on that call rather than in February.

The room and the contracts02

We shortlist by capacity, layout, parking, and load-in access, and for the rooms we work most, including the Fort Worth Botanic Garden rental spaces, we already hold the drawings. No site visit needed, and no committee meeting spent on measurements.

Then the venue contract, which is where the money tends to hide. Food and beverage minimums, overtime after a cutoff hour, whether the room requires its own caterer, and what insurance it wants from everyone who walks in. Once that is signed, every other supplier contracts with us. Certificates of insurance go to the venue and to your organization, with both named.

The design03

Floorplan first, then the look. Seating, sightlines from the stage and from the last table, tabletop, and the pieces that carry the room.

For a corporate night there is a brand layer on top of that: logo placement, the step and repeat, screen graphics, and making sure sponsor tiers actually read from where people are sitting rather than from where the designer was standing.

The schedule04

The whole night on one document, weeks before it happens. Load-in windows staggered by vendor with crew counts, rehearsal, doors, cocktail, the seating call, the program against course timing, close, strike, and out-by.

Every vendor works from that same page. Nobody is guessing, and nobody is calling you to ask.

The night05

Crew call, load-in supervised, and the room checked against the floorplan before anything else happens. AV tested early. Someone on site whose only job is the clock.

Our crew works the transitions and breaks the room down behind you. It is clear by morning, and we reconcile every vendor invoice against contract before sending you one number.

Scope and cost

Every night gets scoped on its own, against the room and the run of show. You will have a real number early rather than a range that moves, and anything that changes it comes to you first.

Where we stop

We do the room. The money and the message stay with you. Sponsorships, auction items, the donor list, the invitation list, and whatever gets said from the stage. That work belongs to the people who know your people. We take everything else so they have room to do it.


Where we work

Rooms we already know

Ballrooms, historic houses, gardens, and tented builds across DFW, and enough repeat rooms that most dates start from drawings we already have.

Behind that is a bench we book against every weekend. Drapery, rentals, catering, bar, AV, signage, photography. If your committee is short one, we bring them, put them on our timeline, and hold the schedule across all of them.


Who you get

The same two people, all season

No account manager, no handoff after you sign. The people who quote your event are the people who run it.

Robin

Robin

Robin designs the room. She sets the palette and the plan, walks the floor before anyone else arrives, and stays through the last transition. If something needs deciding that night, she decides it.

Julie

Julie

Julie runs operations. She holds the schedule, the contracts, and the vendor list, and she is the one who answers when you call. Most questions never reach Robin, because Julie has already handled them.

The first call

Where we start

Eight questions, and none of them need a firm answer. People sometimes wait to reach out until the plan feels settled. You will get more out of us before that. Rough answers to the list below are enough for us to tell you what your date and your room can actually do, and to put a real number in front of you.

The date
Or the two or three you are weighing. We will tell you what each one costs you in vendor availability.
Headcount
A range is fine. It drives the room, the rentals, and most of the budget.
What the night is for
A benefit, a client evening, an anniversary, an award. And what would make you call it a good one.
The room
Chosen, shortlisted, or wide open. All three are easy places to start from.
Who is already in
Any vendor already under contract. We build around them rather than over them.
The budget band
Not a final figure. Just enough that we can tell you what it buys instead of guessing.
The program
Remarks, an auction, an award, a performance. Anything that needs a stage and a clock.
Who signs
And how your board or committee likes to see things before they approve them.

Inquire

Start with the date and the room

That is enough for us to tell you what is possible. Everything else can be rough, and most of it changes anyway.

Begin an inquiry

Direct

Julie Gonzales, Director of Operations
817 776 1565
info@bblumenflowerfarm.com
7901 Stephenson Rd, Godley, Texas